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It really became a professional discipline in the 1840s as a defense for slavery; if all men were created equal, well, we shouldn't have slavery, and so if they weren't quite men or quite human, we can justify slavery. And for Hurston herself, having grown up in Jim Crow Florida, she knew what that category meant for someone to be fully, wholly alive but socially dead, socially invisible to the people she was surrounded by. Mules and other brutes had occupied their skins.
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Eve Dunbar, Literary Scholar: Basically, you send her to go in and collect, but have somebody who's trained write up the material, trained, meaning credentialized. One man was giving the words out-lining them out as the preacher does a hymn and the others would take it up and sing. Lee D. Half of a yellow sun streaming vostfr 2017. Baker, Anthropologist: Franz Boas had a good eye for talent, and he didn't care if they were Black, white, women, male, or the like. IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. Carla Kaplan, Literary Scholar: It was an enormous disappointment for her—one of the heartbreaks of her life. Narrator: On January 10th 1932 The Great Day premiered on Broadway at the John Golden Theatre.
Benedict assessed that Hurston had "neither the temperament nor the training to present this material in an orderly manner when it is gathered nor to draw valid historical conclusions from it. Half of a yellow sun 2013 movie. " One of the major projects of the New Negro renaissance, is to write about and reframe how society thinks about Black culture. She first was very interested in Native Americans. That accusation is dropped. I think she's really laying it out there.
But she understood that just having proximity to White people did not make Black people smarter, better, more valuable, we needed equality and equity, and financial support. Zora (VO): But it was fitting me like a tight chemise. Lee D. Baker, Anthropologist: This is after she had already been a novelist and had been a member of the American Folk-Lore Society, and the American Anthropological Association. High blood pressure, gaining weight. Eve Dunbar, Literary Scholar: There was a certain amount of progressiveness in Boas' vision about training, in deputizing minoritized people in order to go into their own cultures that wasn't necessarily done. I did, and got the selfsame answer. Tiffany Ruby Patterson, Historian: She ends up back in the community of Black people. A part-time student secretly years older than her classmates, Hurston formed many close relationships and joined the theater company Howard Players and the so-called "brainy" sorority Zeta Phi Beta. Zora (VO): Godmother dearest, you have given me my first Christmas. This idea that you are objective, when you go, and observe and participate in these cultures, is really a misnomer. I have been going to every one I hear of for the sake of thoroughness. Narrator: Hurston dutifully headed down to Lenox Avenue in Harlem to measure heads she found interesting with what Langston Hughes described as a "strange-looking" anthropological device. It took me about, uh, seven or eight weeks to write the book. She had been sketching out a story loosely based on the lives and experiences of her parents in Eatonville.
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Music ("College on a Hilltop"): … loyal be and true…. Narrator: Hurston's relationship with Mason—almost five years of support—had soured over time. Tiffany Ruby Patterson, Historian: There was rarely a moment that she didn't have to worry about money, that she didn't have to borrow or work more than two or three jobs. Irma Mcclaurin, Anthropologist: She is what my mother would call a "fly in the buttermilk" at Barnard.
A year earlier, her friendship with Langston Hughes had ended on very bad terms in part over their collaboration Mule Bone, a comedic play based on one of Hurston's unpublished Eatonville tales. Of course I have intended from the very beginning to show you what I have, but after I had returned. I have wanted to write you but a promise was exacted of me that I would write no one. She had ideas and she was interested in other People with ideas.
I think that was an important form of resistance. Narrator: Hurston next traveled to New Orleans. Carla Kaplan, Literary Scholar: She had to make a decision about whether she was going to try to fit in or try to play up her difference. Narrator: Hurston headed to Chicago in October 1934 to stage a version of her production of The Great Day, now titled Singing Steel. The title was immediately selected for the Book-of-the-Month Club. I have inserted the between-story conversation and business because when I offered it without it, every publisher said it was too monotonous. Lee D. Baker, Anthropologist: She met Alain Locke, who was a philosophy professor, but also the midwife, if you will, of the so-called "New Negro movement. She realized, by working during the day, and shaving ten years from her age, she could attend high school for free at night. Zora (VO): Dear Doctor Boas, I am full of tremors, lest you decide that you do not want to write the introduction to my "Mules and Men. "
A Raisin in the Sun streaming: where to watch online? It's a world of jazz. Eve Dunbar, Literary Scholar: That idea of the new Negro sweeps the ethos of the black imaginary, the exciting condition of black people, who are by virtue of the Great Migration moving from the rural south to urban centers—Chicago, New York, Philadelphia—moving up and participating in the 20th century revolution of modernity. Franz Boas becomes excited with Zora Neale Hurston because there were a number of white anthropologists that tried to understand the African-American experience, but never really got very far. Charles King, Political Scientist: Around 1920 or so, Franz Boas said that a change had come over his seminar rooms in recent years, that as he put it, "All my best students are women. She had to list everything that she purchased with Mason's money down to feminine quote, unquote, feminine products. Irma McClaurin, Anthropologist: The idea of anthropology, the way that it was formed was to study the other. Hurston had come home, but her education made her an outsider. Narrator: Prize-winner Langston Hughes later remarked, "Zora Neale Hurston is a clever girl, isn't she? She uses that expensive and rare film equipment to document the lives of ordinary, everyday Black children, and Black women, and Black communities providing for us some of the earliest footage we have of the everyday visual lives of Black southern Americans. The rich Black earth clinging to bodies and biting the skin like ants. Zora (VO): Mama exhorted her children at every opportunity to "jump at de sun. " Eve Dunbar, Literary Scholar:, Literary Scholar: She's interested in all elements of Black Folk.
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So the first week of January, 1925, found me in New York with $1. Zora (VO): Dear Langston, I am just beginning to hit my stride. "The major problem…as I see it" Hurston wrote in her application, "is the collection of Negro folk material in as thorough a manner as possible, as soon as possible. Zora Neale Hurston was genuinely intrigued and interested in mapping and understanding the relationship between African traditions and African American traditions.
Carla Kaplan, Literary Scholar: She may be our first Black female ethnographer documentary filmmaker. "If the gods of anthropological investigators are with us we have some swell fotos and films…Without Zora most of it would have been impossible. Narrator: Hurston's new methodological approach was apparent once she arrived at the Alabama home of Cudjo Lewis, one of the last known surviving Africans of the Clotilda, thought to be the last American slave ship. Eve Dunbar, Literary Scholar: Everybody is really excited about what it might mean to be able to slough off that Old Negro, who is the product of enslavement. And Annie Nathan Meyer, a wealthy female founder of Barnard, the women's college affiliated with Columbia University, offered Hurston admittance on the spot so that she could resume her undergraduate studies.
There are certain presentation choices that seemed very bizarre to me, but not dealbreakingly so. Zora (VO): I went back to New York with my heart beneath my knees and my knees in some lonesome valley. Music ("College on a Hilltop"): There's a college on a hilltop that's very dear to me…. Then I had to have the spy-glass of Anthropology to look through at that. I have had people say to me, why don't you go and take a master's or a doctor's degree in Anthropology since you love it so much? When I pitched headforemost into the world I landed in the crib of negroism. Narrator: An unexpected encounter with Langston Hughes in Mobile, Alabama in July brightened Hurston's mood. Participant observation required that you kind of immerse yourself in another culture in order to understand it from the inside out. Zora (VO): It destroys my self respect and utterly demoralizes me for weeks.
The Exception is well acted, (which may come as a surprise to some people when it comes to Jai Courtney) but oddly made. Irma McClaurin, Anthropologist: There were theories that the head sizes of different so-called races is something that was going to be able to tell us more about the level of intelligence, what kind of culture they had. Though she never stopped writing articles, reviews and opinion pieces—she would get by working at a variety of jobs—sometimes as a teacher, librarian, and journalist.
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