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Tuesday, 30 July 2024

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Simply titled as Oh! She receives a letter from Jun, but Sae-bom also reads it and discovers her mother's secret past. This much-venerated rom-com bubbles with its own charisma. Hometown in My Heart (1949). Tasked with following up the international success of the Vengeance Trilogy, Park Chan-wook provided this dippy rom-com of peculiar proportions, with no better setting for his manic story-telling than the blue-tiled walls of a mental institution. "Hotel by the River" (2018) was the 23rd feature from Hong and the director's sixth film starring his lover Kim. ‘The Woman Who Ran’ (‘Domangchin yeoja’) Review –. Mar 8-14: Laemmle Music Hall - Los Angeles, CA. Hunched over like a shell of a man, his figure viscerally displays the inner emotion that this music stirs in him. Writer-director-editor–music: Hong Sang-soo. READ OUR FULL REVIEW. Hong and Kim have filmed six films together, including "Hotel by the River" and "Claire's Camera.

Hotel By The River Hong Sang Soo Tumblr Page

Making the novelist's film wasn't easy, the nephew confesses; they watched it hundreds of times in the editing room. It is one of Hong's most fascinating restaurant single-take shots ever too. Viewers who have been trying to read between the lines from the opening minutes will now have some ammunition to start building their cases. They are impotent, messy, deceitful; but it is this humanity and basis in the truth that is the bait that lures the viewer in. Many of Hong's film's titles are allusions to literary history, references to classic novels and poetry. Labelled "the most controversial and ruptured film text in the history of Korea" by academic Kyung Hyun Kim, this is challenging cinema, but purposefully so. Cinematographer Kim Su-min regularly indulges in the zooms familiar from the director's other films and does something interesting with all the male characters here, all seen only from behind, turning them into anonymous nuisances encroaching on the space of the women at the center of the story. ‘The Novelist’s Film’ Review – Berlin Film Festival –. Here we see poet Young-Hwan, who believes he is dying, invite his two squabbling sons to an isolated hotel by the Han River for a last goodbye. They don't have a grand narrative, a world to save or even as much as a goal at times. In a sense Hong Sang-soo is an atypical artist.

Indeed, this is Hong's most female-centric film in recent memory and by giving all men the cold shoulder he's found a fresh-feeling variation on his otherwise familiar brand of conversation-heavy films. Hotel by the river hong sang soo tumblr page. When Young-ho does not answer his calls, he wanders around, bumping into an actress he knows and swigging down booze by himself before joining a group of film students who recognise the former director-turned-professor. Suggest an edit or add missing content. A Taxi Driver (2017). The Woman Who Ran (2019).

While essays have been written in attempts to deconstruct the code that is his body of work—in reality, his work is much more simple. We witness his rise as a painter and his often hostile behaviour, all taking place during vital events in the history of Korea. The first entry on the list from legendary director Im Kwon-taek and the first centered on traditional Korean musical storytelling 'pansori', Chunhyang made it all the way to the Cannes Film Festival. There is the usual collection of small talk that means more than the surface reflections indicate, but this is an immediate reaction to real-life developments for Hong and Kim that were so consuming tabloid pages at the time. Risqué for the highly censored era of its release, The Seashore Village unpacks female sexuality and the power of women in the second list entry for Kim Soo-yong. Here he masterfully combines pansori with 'Chunhyangga', a traditional Korean folktale. Mar 1-7: Austin Film Society - Austin, TX. The firm also hinted at Hong's determination to divorce his wife, saying that "(Hong) would like to seek court approval again when the social circumstances are ripe. The film is as characteristically stylish as ever though, combining auteur-level framing with surrealist visualisation to create something habitually Park-like in the process. With a shareholders' meeting upcoming, he visits his hometown of Mujin. Subjects discussed during their reunion include love, real estate, the aggressive behavior of roosters and vegetarianism, as Gam-hee has brought some meat to grill for lunch along with several bottles of alcohol (probably the most recurring prop in all of Hong's films). Hotel by the river hong sang soo tumblr englishnovelonline. While waiting for them to arrive, he meets two women (Kim Minhee and Song Seonmi) out walking in the new-fallen snow and is struck by their angelic beauty.

Hotel By The River Hong Sang Soo Tumblr Englishnovelonline

He says; the screen lights up. As with much of Park's work, the anger that Chilsu and Mansu eventually feel represents the fury of the working classes who remained marginalised from the Korean economic improvements. Scenes from the present are in black-and-white, the flashbacks in colour and it is left to the audience to use location markers to piece together the narrative strands of this disconnected but linked tale. Instead, Eun-joo and Sung-hyun can communicate through a beach house mailbox while living in separate timelines two years apart. He has a crush on college student Mi-ran but after failing to win her over he runs away from home. One of the highest grossing films in Korea, Sunny is a film filled with heart. Hill of Freedom (2014). Named after the old Korean phrase "hunting the whale", which was to long for possessions beyond your basic needs, during the country's strict dictatorship, it follows the shy and distinctly average Byeong-tae. But small coincidences and privileged moments combine to create a powerful meditation on family and death, one of the most affecting films in Hong's oeuvre. The only animated film on the list (Wonderful Days, also known as Sky Blue, and Seoul Station both gained a single vote, but not enough for inclusion), this is a bleak, angry and utterly uncompromising film. Director Hong Sang-soo not to challenge court's dismissal of divorce suit. Number 60 on the list signals a flurry of entries from Hong Sangsoo, staring here with this romantic drama featuring scriptwriter Soo-jung, producer Young-soo and wealthy gallery owner Jae-hoon. Often quiet and gentle, it riffs on that big ticket issue – facing death and squaring the balances before the final curtain. Shooting in gauzy black-and-white with a strikingly untethered hand-held camera, South Korean master Hong Sangsoo interweaves the various dramas of his characters in a quiet, straightforward way.

He also has an evolving friendship with the switched-on Mansu. Set in the 18th Century, a governor's son named Mongryong marries the beautiful Chunhyang, the daughter of a courtesan. A film by Hong Sangsoo. We never see the novelist's film. Cinematographer: Kim Su-min.

Ja is suffering mental health issues and checks himself into a psychiatric hospital. Kwon has a stack of letters from Mori, a Japanese language teacher and her former lover, but she drops the various communications, causing the letters, and the film itself, to slip into a sporadic order as Mori waits around hoping to reconnect with Kwon. "Love only matters when you can sell it" is the inauspicious snippet which ties together the tale of the Pan-chok, the ambitious, self-centred and cut-throat salesman at Yumi, a Seoul food manufacturer. This is a mysterious, disorientating and sometimes truly disturbing piece of cinema. Sometimes films are necessarily bleak in order to imprint their message on your mind. Melancholy and wistful, a pitch-perfect script gives emotional clout to a pensive tale of a love left to yearn due to societal pressure. The decision was made more than two years after Hong lodged a divorce suit in December 2016. Winner - Best Actor - Locarno International Film Festival. His films are stripped back, removed of artifice, allowing space for the viewer to take their time and appreciate what is being shown before them. Hotel by the river hong sang soo tumblr themes. Hong won the Best Director award at the Locarno International Film Festival in Switzerland in 2013 for "Our Sunhi" and the top Golden Leopard award at the same film festival in 2015 for "Right Now, Wrong Then, " which also earned its male lead Jung Jae-young the Best Actor prize. This all combines to produce one of the most truly aesthetically refined films of the era. Funny, heartfelt and often bittersweet, we are assisted here by such a likable group of characters to make us invested in their fortunes. Jordan Cronk, Cinema Scope.

Hotel By The River Hong Sang Soo Tumblr Themes

I'm not as bad as you think, " says the frequently bruised-faced career gangster Byung-du in a film that is more reflective than the average gangster yarn. As with A Taxi Driver (No. In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. Phobia, compulsion and the baggage of our pasts that creates these monsters are superbly unpacked in Park Chul-soo's most accomplished outing in a highly active directing career. Pursuit of Death (1980). "A pleasing shuffle, spiked with bittersweet humor and even a gentle, surprising hint of sentimentality. The malicious housemaid format, made most famous by The Housemaid (which, as you may expect, finds itself in the upper echelons of this list), is twisted here to brilliantly portray the paranoia and jealousy of a wife descending into madness.

With a brisk runtime just over an hour, it is a film with scant fat, despite its focus on the notion of waiting and time. Official Selection - The New York Film Festival. "The fact remains unchanged that (the couple's) marital life has completely ended. With her mother immigrating to Canada, Haewon is feeling low and reaches out to Seongjun again after a long hiatus. Yet, this is a work about the power of love to persist, across borders, into time.

30-something Miso, played superbly by Esom, is informed that her rent is rising. However, the pair's working class connections continue to hold them back. A rush of nostalgia that draws audiences into its embrace. Yong Yong-kyu only produced a handful of films but stakes a claim for producing one of the finest classics of Korean cinema here.