Medic With An Office At Fisherman'S Wharf Crossword: Humanoids From The Deep Rape Scene

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Medic With An Office At Fisherman'S Wharf Crossword Puzzle

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Medic With An Office At Fisherman's Wharf Crossword Clue

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Fisherman'S Wharf Address

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The numerous point-of-view shots as monsters swim under the sea and walk past houses do increase the tension though to be honest the film isn't especially scary despite minimising the humour which most Corman productions of the time had. The acting is standard for an 80's horror even if it has got absolutely no memorable characters throughout. Humanoids from the Deep is ultimately what it sets out to be: competently made exploitation horror film that can still shock audiences 40 years after its release. In the Pacific North Western town of Noyo, many fishermen are having their livelihood endangered due to a new salmon cannery being built. The townspeople's fight to protect themselves also reveals their insidious racism: The sole exception to the community's so-called progress is a Native American who suffers the citizenry's abuse. Naturally, they desire to mate with human women to facilitate further evolution. After this early experience in genre filmmaking, Hurd went on to produce such action spectacles as Aliens, The Terminator, and Armageddon. Wade's daughter is caught up with these eco dopes and goes missing after their group is attacked by the Humanoids. Later, Carol's dog goes missing and the two find its dismembered corpse on the nearby beach. Plot: fetus, experiment gone awry, lesbian, mad scientist, monster, genetics, technology, mutant, evil child, pregnancy, baby, babies and infants... 27%. We got cultists, but they didn't really have the "Innsmouth Look" that really shouts Deep One.

Humanoids From The Deep Rape Scene.Fr

You know when the side characters are going to get offed, and even the "surprise ending" is foreshadowed pretty heavily. The story here is very similar to something like Jaws. The first two characters to get killed are a boy quickly followed by a Golden Retriever that gets choked out and brutally murdered on-camera by a Fish-Monster. Following the success of Jaws a number of filmmakers leapt at the chance to make their own version of an aquatic-based horror flick. After this begins a series of attacks by humanoid sea creatures where human males are killed but the females are raped…. More cynical viewers have taken potshots at the monster makeup here (apparently disappointed the humanoids don't look more like real fishmen), but I've never had a problem with the rubber suits. Style: rough, suspenseful, scary, serious, cult film... Cue much killing & raping as the creatures burst from the sea & begin their rampage. Humanoids from the Deep is a pretty mean piece of work that was made with only the purest of exploitative intentions (as was the norm in those days). What's not so refreshing is that the rest of the female characters are all bikini babes who are clearly just victims for the Fish-monsters. Identify all themes of interest from this film (block below). For a movie titled the Deep Ones, they didn't really give us the Deep Ones in all their aquatic glory.

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The economic strain has led to increased tensions between the fishermen and the local American Indian community. Style: suspense, suspenseful, tense, disturbing, splatter. The Brides Wore Blood1972. Nathaniel Thompson, on his Mondo Digital website, observed, "Director Peeters claimed that Roger Corman added some of the more explicit shots of slimy nudity at the last minute to give the film some extra kick, but frankly, the movie needed it. The story focuses on a couple, Alex (Gina La Piana) and Petri (Johann Urb), who have rented an Air B&B beach house with a wonderful view of the ocean. Humanoids from the Deep is not a great movie by any stretch, but if you enjoy monster movies and laughing at the ridiculous ways '80s filmmakers tried to shoehorn nudity into them, you'll have an enjoyable hour and nineteen. The humanoids are the product of some mystified scientific experimentation with what's called "DNA-5, " which is used to genetically mutate salmon so that they grow large and plentifully. Humanoids from the Deep has all of the above in spades. Attack of the Beast Creatures1985. It seems, though, that Peeters didn't include enough gore or nudity in the film, which was a New World Pictures must, so Corman had the first assistant director shoot new scenes to heighten the blood and boob quota. Like most good exploitation movie trailers, the above is NSFW.

Humanoids From The Deep

As more & more people end up dead or in one case traumatised after being raped by one of the creatures, a group of men & a female scientist from the local cannery company begin to realise just what is going on. Dark Night of the Scarecrow1981. She manages to outrun her assailant but then runs straight into the arms of yet another humanoid, which throws her onto the sand and rapes her. I don't know why these cheesy rubber monster movies insist on tackling racism and then doing a piss-poor job of it, because it makes all the villager characters in the movie look like ignorant doofuses that are not worth saving. Humanoids From The Deep is a fairly entertaining relic of the pre-CGI 1980s where the monsters are actors who had to suffer for long hours in 100 pound suits in terrible weather conditions for our entertainment. Plot: monster, mad scientist, transformation, creature feature, fish, octopus, laboratory, asperger's syndrome, nazi occultism, sea, exploitation, killer animal... Place: florida, usa. As mentioned before, this film rips off quite a few genre hits and cleverly uses eerie ideas (and music) from "Jaws" and "Alien". Story: A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. A disappointing movie, one that promises a lot but ultimately fails at delivering anything but occasional flashes of gore, boobs & lots of screaming. Apparently only one of the suits looked convincing in close-ups but I'd suggest they don't look convincing in wide shots, or even super-wide shots. An old lady hangs off the collapsed dock and wouldn't you know it, a slow-ass Humanoid picks the farthest away part of the dock to slowly climb after her? They are, and much of the beach community are in-bred deep ones, people with fish genetics and a desire to summon Dagon, a malevolent god of the sea. Meanwhile Carol is attacked by two of the creatures at home, but manages to defend herself as she kill them before Jim arrives.

Humanoids From The Deep Full Movie

98: HUMANOIDS FROM THE DEEP AKA MONSTER [1980]. The film really has been trimmed to the bone, with the only half-decent attempt at characterisation being the villainous Hank, played with great relish by Vic Morrow, but then this kind of film doesn't always need much of this kind of stuff, it just needs to keep moving, gather suspense and race to an exciting climax. Humanoids From The Deep isn't the most attractive film visually and really doesn't have any artistic merit whatsoever, but it is certainly Fun with a capital F if, like me, you have a weakness for this kind of movie! Salacious, to be sure, horrific even, but it's horror at the expense of good taste. Humanoids from the Deep (also known as Monster in Europe and Japan) is a 1980 American science fiction monster movie, starring Doug McClure, Ann Turkel, and Vic Morrow. But even among the countless knock-offs produced, distributed or directed by Roger Corman, few have a pedigree quite as long as the Barbara Peeters-directed Humanoids from the Deep, which borrows ideas, themes, sometimes whole scenes from dozens of earlier films (including several of Corman's own): Creature from the Black Lagoon and all its sequels, Creature from the Haunted Sea, It's Alive, Jaws, Attack of the Crab Monsters. The monsters are really well made and pretty scary to this day, and the gore still packs a punch. I mean, total chaos: the sound of people screaming lasts for something like a full twenty minutes. Plot: monster, scuba diving, diving, radiation, electrocution, mutation, press conference, submarine, torpedo, human experiment, navy, reporter... Everybody, especially the police captain, refuses to believe Nick's story, and soon the... All of that is in service of a standard Guy in a Rubber Monster Suit movie, with dull plotting and a bunch of bog-standard '80s era loud noise jump scares including a kitty cat jumping out. Story: The year is 1984. There's a juicy amount of gore in this movie with bloody rippings, slashings and an especially good decapitation, all of it good work from Rob Bottin who soon went on to do his brilliant work for The Howling and The Thing.

Humanoids From The Deep Deleted Scene

Story: The U. S. Navy's special group "Blue Water" builds a half-shark, half-octopus for combat. Released before on DVD and Blu-ray by Shout! Style: scary, serious, rough. Studio(s)New World Pictures (Shout! At the same time, the arrival of a large corporate canning operation has also led to tensions with the Indians, who will lose their fishing rights should the cannery open. The Deep Ones is lovingly cut from the most established of Lovecraftian Tropes. Nothing says they have any personal stake in all this, making all the yelling and fighting seem like so much bad acting. The way the film uses the Humanoids, dialing back their stalking of pretty girls and murdering the men, changing them from the rampage and rape nightmares they were to creatures that instead of satisfying their desires on the spot, store victims in a slimy hive to perhaps be used off camera and changing the climax from hand-to-webbed-hand combat with the townspeople to just being blown up by the military, strips them and the movie of any creepiness or dread. Story: Marine biologist Jack Ellway and his son Brandon are drawn to the Polynesian island of Malau to study the effects of recent seismic activity on the area's marine life. It opens, for example, with an underwater POV shot, presumably of one of the nefarious creatures of the title, and in short order people begin to die watery deaths—an aural hallmark of Not John Williams' composition accompanying each.

Cast Humanoids From The Deep

The activists are twerps who only care until college starts again or some other cause strikes their fancy. But the difference is The Being steers into its horror movie clichés with glee and has a sense of humor and demented nuttiness. The film was a modest financial success for New World Pictures. Fans of pregnancy horror fare will also find a lot to like about this film. Story: Doctor Baines has been conducting genetic experiments on piranhas and has made them virtually unstoppable.

Racist Hank Slattery, who takes out his biased aggression on a local fisherman Johnny Eagle who is against the cannery, and several others, are for the cannery because it will make life more prosperous for them. Roundly criticized for its grim and humorless attitude, violence and gore, barely explored Native American rights vs. modern industry story, and most especially its explicit rape scenes by people who apparently have no idea what an exploitation or grindhouse movie is, the 1980 version still stands tall as the uncompromising entertaining trash it was designed to be precisely because of all those things. Paul Taylor, in Time Out, said, "Despite the sex of the director, a more blatant endorsement of exploitation cinema's current anti-women slant would be hard to find… Peeters also lies on the gore pretty thick amid the usual visceral drive-in hooks and rip-offs from genre hits; and with the humor of an offering like Piranha entirely absent, this turn out to be a nasty piece of work all round. " Even the poster is pretty rapey. Swapping out the Native American angle for the routine and vague "save the environment" is the movie's first misstep. The creatures, which evolve amazingly fast, kill the men and rape the women. Think how obvious it is what is on the Gill Man's mind when he watches Julie Adams swimming, follows her and mimics her movements in that great 'underwater ballet' scene from The Creature From The Black Lagoon. Peggy starts screaming profusely and the baby lets out a screech, just before the screen cuts to black and the film ends.

The film is a brisk 79 minutes, and the bulk of that is monsters, but the fiery final battle, in which a dozen Humanoids attack a carnival on a pier, is exciting and impressive. For us at that time, it really had it all: regular sex, lots of nudity, a simple plot with good guys to root for and bad guys to revile, a message about how to treat other people that felt good to young people, excellent gore with buckets of blood lost, and some amazing early monster work by special effects wizard Rob Bottin, who would go on to paint his own Sistine Chapel a couple of year later with the shapeshifting creature in John Carpenter's The Thing. Men are mauled to death since they are regarded as territorial threats. Quite infamous for its misogyny, despite being directed by a woman.

But it is a fun and breezy (if sleazy) take. Another angler prepares a flare gun, but he slips and shoots it accidentally into the deck, which is soaked with gasoline dropped earlier by the boy, causing the vessel to burst into flames and then explode; everybody onboard is killed. Doug McClure as Jim Hill. Screamers, John Frankenheimer's Prophecy, Tarantula, a hint of H. P. Lovecraft….

Source Warner Home Video VHS. The moment she finishes, everything goes kablooey at the big Salmon Festival in a remarkably drawn-out, darkly comic and hugely entertaining mayhem sequence. Eventually, a bunch of them create total pandemonium at the annual salmon festival. Plot: monster, teleportation, cocoon, body horror, creature feature, mutant, transformation, mad scientist, laboratory, insect, genetic engineering, violence... Time: 20th century, 80s.