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Screenwriter must-read: Leonardo Benvenuti, Piero De Bernardi, Enrico Medioli, Franco Arcalli, Franco Ferrini & Sergio Leone's screenplay for Once Upon a Time in America [PDF]. Dialog is nice and clean, the musical score is well rendered (given the recording technology of the time), and volume is well balanced. It's fantastic, it's a fable. Movie Review – Once Upon a Time in the West –. Jackie and Greg are joined on the old dusty trail by Becca Deveaux from the "This Cinematic Life" blog in their discussion of Sergio Leone's epic spaghetti western, ONCE UPON A TIME IN THE WEST from 1968. A final shoot-out between Henry Fonda and Charles Bronson, for example, takes at least 15 minutes. Especially since Vietnam and the Nixon years, America seems to be a dirty word in Europe. More than anything else, it was a perfect and loving hymn to the cinema.
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A good western, but not a great one. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. Truly great movies can leave indelible marks. Once Upon a Time in the West - Review by Wim Wenders. Down there, between the K's and the M's generally to be found somewhere between pages 250 and 320 of any good filmmakers directory. Leone's films move at a slow, deliberate pace and he is more interested in the gradual build up rather than the ultimate pay-off, which happens very suddenly and quickly. I wouldn't be able to hide my surprise if all he did was take on worse films than those done by certain actors who became presidents of the United States. Most of your films are very masculine. But the human voice, scored as another musical instrument, was much less in evidence in Once Upon a Time in America than in the previous two Leone films.
This is the first and only time a female character had such a centrally important role in a Leone movie. Were the rest of the film as good as its opening, this probably would be the final word on westerns too, but Leone peaks early with that masterpiece of suspense. This strange feeling turned me into a concerned viewer; I realize that this film isn't taking itself seriously any more, that it doesn't take its predecessors seriously any more, that it no longer shows the 'surface' of Westerns but rather what lies behind: the inner side of Westerns. Once upon a time in the west blog.lemonde. 0 "restored Mono" track is also included; the 5.
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Topics of discussion include whether the film is an anti-western, Leone as a mythmaker, a theory on Charles Bronson's character having been dead the whole time, a breakdown of Ennio Morricone's legendary score, and why more films need to swing for the fences. They put it out that way to wide distribution, and with minimal advertising. The theme song is one of those that many try to imitate but few succeed. Even if you've decided that you don't want to deal with that subject again, before you know it, the desire comes back to do it yet again. Even though he couldn't speak a single word of English, he was able to make himself understood by using French, always with a smile on his lips. But his vision seemed to be too grandiose for the producers who, given the critical and commercial failure of Bernardo Bertolucci's historical drama film 1900 that was released in two parts in 1976, insisted he cut the material some more. Great moments in film music: ‘Once Upon a Time in the West’ (The Duel) –. Yet I rarely, if ever, hear recognition extended past Leone the way I do with the cinematographers of other great auteurs, even though Delli Colli played a large role in creating one of the most iconic and influential visual styles in film history. It was the sets that inspired my choices in terms of the cinematography. Shooting a film is awful, but to have made a movie is delicious. I'd repeat it immediately with him. Leone alternates between his landscape like extreme close-ups and his actual landscapes as if the duelists are already one with the geography they've chosen to let define them. On the other hand, you can have an experience next to a director you love very much but to avoid becoming his bad copy, you have to get away and do your own expression. But the task of making a comprehensible screenplay out of the director's colossal story turned out not to be an easy one, for Leone remained thoroughly unimpressed, later on telling American Film "I'm sorry to say, he only gave birth to a Mickey Mouse version. Leone draws out the tension to the breaking point of our attention.
Do you see these themes as "American"? And it made me understand that America is really the property of the world, and not only of the Americans, who, among other things, have the habit of diluting the wine of their mythical ideas with the water of the American Way of Life. We began to procure rights to the cinematographic adaptation, which, however, was already in the hands of other film-world hombres. And I'm essentially a Roman, which doesn't necessarily mean being essentially Italian. Robert De Niro throws himself into this or that role, putting on a personality the way someone else might put on his coat, naturally and with elegance, while Clint Eastwood throws himself into a suit of armor and lowers the visor with a rusty clang. And even Jason Robards' Cheyenne enters with subtle bombast, walking into a saloon, slowly and with confidence, following the volleys of gunfire and struggle outside the establishment's walls, ending with the camera upon his handcuffed wrists, pouring alcohol down his dry throat. France is full of France. A spontaneous actor in Italy, if he's young and spontaneous, can only be broken down by an acting school in Italy, not encouraged or taken to a point of higher expression. Killing one of his men he didn't trust for simply no other reason that he likes killing. After a long sequence at a deserted train station, men dealing with the heat, dripping water, and uncaring flies searching for a place to land, we see the figure of Charles Bronson's Harmonica, just arrived from the passing train, telling the three men that they brought "two horses too many". Once upon a time in the west blu ray review. The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. Leone confides to Hamill about the arduous and lonely process of filmmaking throughout the 10-year process on what would be his last and arguably greatest film. America speaks like fairies in a fairy tale: "You desire the unconditional, then your wishes are granted.
I believe that cinema, except in some very rare and outstanding cases, has never done much to incorporate these ideas. I don't agree with that. Then there are his visual trademarks; The tight close-ups of sweaty, sunburned faces inter-cut with wide vistas; the soaring crane shots that's timed to a specific piece of music or the use of montage, where the scenes are rapidly cut together to music as in a a music video. Could it also be something to do with the freedom that Americans have, politically, socially, culturally? Claudia Cardinale's Jill seems to be a mixture of the two Marys from the new testament; the Madonna and the Whore. Re-released on Blu-ray in both 2013 and 2017. Frank tried to become a businessman like Morton, but failed, because he is- as he calls himself – 'Just a Man'. That was the plan, anyway. To donate, please visit our donation page, or donate directly below: Leone was to remember that 'this love theme was, I think, originally composed for a Zeffirelli film but was never used', and its selection continued his time-honoured tradition (going back to Fistful days) of re-evaluating Morricone music that other directors had earlier rejected—and then, when the theme proved to be a success, telling all and sundry how clever he had been to spot its potential. The town of Flagstone is one stop on an ever-growing rail system stretching from coast to coast in the United States. So, all those planets. We don't have that here.
Once Upon A Time In The West Blog.Lemonde
Westerns have often brought out this tenderness in a dreamily beautiful and quiet way. The results were dubbed "spaghetti Westerns. " In particular, they could not see why Paramount would produce a supposed, big budget, major, wide screen film using such "second rate" filming technology! How do you manage to communicate with your cast when you don't speak English? I would say, read a lot of comic books, watch TV often, and, above all, make up your minds that cinema is not just something for snobs, other moviemakers, and the mothers of petulant critics. It's probably also because of this that the technical side of my moviemaking is so important. The fun part is with the first idea; the "idea" is forming a stage.
Early, limited release showings were badly received, and produced the bad reviews alluded to above. Or do they just use her and the prospect of her money to get to where they want to be? Whatever his true intentions were, it is safe to say that the Italian auteur's swan song will remain one of the most important chapters in the history of American cinema. 'Yesterday', recorded by the Beatles in 1965, subsequently the most 'covered' song in history, was called upon to provide a bridge to the first 1968 sequence, albeit rearranged as muzak.
SERGIO LEONE: THE WAY I SEE THINGS. The battle with his North American distributor, The Ladd Company, is at this moment not even a cloud on the Rome horizon. It is interesting to note that Frank ends up becoming a sort of noble figure at the end of the film, when he rides into confront Harmonica. Then Jason Robards' bandit Cheyenne barges in and the tone of the scene changes. Promotional offer may be used per item. Once Cheyenne leaves with his gang members, Stander resumes his animated conversation with Jill. And great dynamic range.
Style comes on its own; it's part of you, part of all your experiences. The reason was the severe injustice done to Leone's masterpiece by the hands of US distributors. Read all 67 comments ►. A few long takes are interspersed as well, uncovering a dusty, realistic cesspool of deceit and wild west aspirations, the desert and tumbleweeds crawling around while the action moves through. However, if you really want it. So when it came time to make his own westerns, he took the basic themes and characters from the Hollywood westerns and then transported them to a bleak, arid, surrealistic landscape. This relationship is particular, certain nuances have to be created. He was a great collaborator.
Sergio Leone was done with westerns. We showed it to 10, 000 students. To expedited or special deliveries. There's a small Roman story: A cardinal dies who did good and bad. No, because at this moment or phase in production, I'm still taken with idiosyncrasies that occur during the making of the film. The clip ends, appropriately, in pure dissonance.