Great Moments In Film Music: ‘Once Upon A Time In The West’ (The Duel) –

I am not hypnotized, like everyone east of New York and west of Los Angeles, by the mythical notions of America. Once Upon a Time in the West (Transcontinental Railroad Film Series: Images of the West). Inspired casting, sublime script, spectacular cinematography, iconic costume design and timeless soundtrack by Ennio Morricone mark this out as arguably the finest Western ever made. Frank is an evil man, and he has no moment of redemption. They were unaware that McBain's new wife, Jill (Claudia Cardinale), was arriving in Flagstone that day via New Orleans. I have this picture of you "conducting" them, rather than "directing" them. The score is considered one of Morricone's greatest compositions.

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Once Upon A Time In The West Blog 2020

Leone ultimately gave them a 229-minute movie that had its premiere at the Cannes Film Festival in 1984 where it received a 15-minute standing ovation, and subsequently played in European theaters. He wanted to shoot the actors' eyes in every scene. Quite the contrary, it usually means they have a lot more invested in the situation than one might think. The entire family is massacred before 'The Holy Mother' Jill can join them. The film score sold about 10 million copies worldwide. But the human voice, scored as another musical instrument, was much less in evidence in Once Upon a Time in America than in the previous two Leone films. For one of the greatest movies about America ended up being massacred beyond compare and presented to the American people in its lesser, far inferior form.

Vincent Canby in the New York Times wrote along the theme, "If you can ignore the fact that this is a really bad movie, you will find it is both interesting to look at and fun. " The flashback scene is equally bizarre. But some of this stuff was done with artistic intent, and some of the sound effects have outstanding artistic value even today. Once Upon a Time in the West kept the strong visuals but delivered a powerfully written story that gave each character a clear arc and found a way to tie them altogether when at first, that seems like an impossible feat. But this process blew up the film grain, and, depending how it was done, also produced nasty "generation loss", such as loss of color saturation, which kind of defeated the purpose of shooting on Technicolor film stock in the first place.

Once Upon A Time In The West Blog.Com

I'll declare that I agree with old F. Scott Fitzgerald. Once Upon a Time in the West 10/10. And proceeded to make a film deliberately designed to turn everything people expected from Westerns on its ear! Co-writer Bernardo Bertolucci says on the film's DVD that when he first suggested to director Sergio Leone that the film's central character be a woman, Leone was hesitant. The dialogue was great. A 1930s recorded version had been arranged by Jimmy Dorsey.

In a continent that contains the entire world, contradictions are, of course, constantly arising. But the music plays in your head constantly? Sergio Leone originally offered the role of Harmonica to Clint Eastwood, but he turned it down, so Leone hired Charles Bronson instead. He seems to know everything about every character in the film; their past, present and even their future. Only a child who became an actor and then a president, for example, could seriously believe that The Day After concealed who knows what new yellow peril.

Once A Upon A Time In West

With me, however, he just seemed to want his judgement confirmed every now and again. In the end, she becomes the mother of the new town of Sweetwater, and in turn, the creator of the new world that would emerge with the arrival of the railroad and the destruction of the old West of Harmonica, Frank and Cheyenne. "it" has been threatening. That's not to say the rest of the movie is poor; immediately following is a scene that's nearly as iconic –the brutal and shocking reveal of watery-eyed Henry Fonda as not just a villain, but a butcher of children– but it never mounts that same level of tension or wit again. Even the ending, which is considered to be one of the most ambiguous ones in the history of cinema, sparking debate and various theories decades after its original release, has been cut short and turned into a more than obvious, yet somewhat dissatisfying, conclusion. In Italy is only Italy. When you're taken with somebody's style, you might consciously or unconsciously imitate it. Subscribe just to get access to our bonus episodes: That is, the following: that I sunbathe, go to the movies and to the stadium, think about my next films, read books and screenplays, meet friends, go on vacation sometimes, play chess and hang around the house irritating my family with, what's worse, superfluous observations. We get the good guy dressed in white, the bad guy in dark main, or rather only female character in the film Jill, played by Claudia Cardinale is a mix of the virtuous frontier housewife and the Whore with a heart of gold. The story goes as follows: at the end of the shoot, the director had eight to ten hours of material on his hands, which he and his editor Nino Baragli managed to cut down to six, with the intention of it being released as two three-hour movies. It is a story of a man who at one point comes to a forking in the road, but chooses to follow the path of least resistance and continues living the only life he has ever known, until it catches up with him. Four maitre d's greet us, and walking past the antipasto table, Leone nonchalantly samples each dish with his chubby fingers.

I wonder if his name is not as renown as other greats like Vittorio Storaro or Gordon Willis because they used darkness and shadow so memorably, while Delli Colli painted almost entirely with brightness. Hence it was not the success the producers were hoping for. The West wasn't made because individual people worked in bubbles and never brushed up against each other, the places that survived had to find some sense of community; they had to rise above the lauded "wildness" of the West and seek humanity. They are fully aware of the archetypal nature of their characters they are portraying. From the Tom Jung papers, this sketch is one of several conceptual designs pitched for the film's poster art. There's an extraordinary amount of detailing through which we get a sense of the life in the West. It should be noted that this opening\credit sequence is very different from the Credit sequences in the Dollars films; where credits appeared over specifically designed Rotoscopic images of red and white, accompanied by Ennio Morricone's loud, quirky score. That was the plan, anyway. When Paramount hired Leone to make another western, they were expecting something rip-roaringly entertaining as the Dollars films. He barricaded himself in a Rome hotel room with a box of cigars, his typewriter, and a bottle of whiskey. It is much more pronounced here in OUTIW, especially with the character of Mr. Morton and the tactics he uses to outsmart even the evil Frank. But Leone was also, if not downright critical, but ambivalent regarding American notions of freedom and progress. Leone and Delli Colli reimagined the Westerns of John Ford and Howard Hawks, taking genre films to the level of art through glacial but tense pacing; innovative sound design; fresh, minimalist dialogue; and, above all, obsessive and almost exclusive use of extreme close-ups and very wide shots.

Once Upon Time In The West Music

These scenes and others have now been re-inserted into the picture, and the restoration—a collaboration involving the Cineteca di Bologna, L'Immagine Ritrovata, and the Film Foundation—is. The dynamic range is something to behold. The fly which gets trapped using a gun barrel is a fake fly (of course), but with the detail in this transfer it is obvious it isn't walking up the wood surface in its close up. I think it can be argued that the subject of this week's episode of Unsung Heroes, cinematographer Tonino Delli Colli, was worthy of similar recognition. Time Out: London's 50 Greatest Westerns.

This a very somber, very elegiac movie that is both a celebration and a critique of the American Westerns and American West. The greatest western of all time! The characters are more or less broad western archetypes. DESPITE that length, the actual TITLE of the film isn't displayed until all the way at the very end of the film. The cinematography was wonderful. I think America existed in the imaginations of all children who bought comic books, read James Fenimore Cooper and Louisa May Alcott, and watched movies.

The interview took place in Rome and was translated by Michel De Matteis. For one scene shot in Spain, henchmen are supposed to come inside from a dust storm outdoors, appearing through the doorway out of a cloud of blown dust. When I gave that review about Sergio's films, I should have taken into account that on Sergio Leone's passport, there should not be written whether the nationality is Italian or anything else. I have another sentiment, too: I always think this is the last film I will make. Action and character, please. " That's the thing to avoid, because the minute you do that out of an admiration for style you become a bad copy of the original. I presume all of the 480i Extras came from the prior SD-DVD. In the Good, The Bad and The Ugly, we have the Ramirez brothers, Tuco and Pablo who are on the opposite sides of the moral divide; one is a priest, the other is a Bandit. It means something else because Romans are a separate race. The opening scene of OUATITW is a classic example of the Leone aesthetic. Consummate actors are the product. "Sergio was a real go-getter, a very meticulous artist who paid attention to everything he did, right down to the smallest details, " says Delli Colli.