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He would pull his hat down over his eyes, totally obscuring them. It was the B-side to her standard Walkin' After Midnight. Chuck Barris introduces The Unknown Comic with a rhyme about Milton Delugg here. He did an album with Spade Cooley, the western swing-king until he battered his wife to death for having an affair with Roy Rogers, after which he was sent to prison and never heard from again until he was released for a 72-hour furlough to play a benefit for the Deputy Sheriffs of Alameda County, where they gave Spade a standing ovation he found so moving that he died of a flash-bam-alakazam heart attack at intermission. A hat rack could be seen at stage right, next to the band (Milton deLugg and His Band With a Thug). So he needed an amanuensis, a musical secretary, and Delugg volunteered for the role.

Milton Delugg And The Band With A Tug.Org

Larry Spencer, played by the show's writer of the same name, wore an old-fashioned black cape and top hat; the audience was encouraged to hiss at him as if he were a villain from 19th century. Nothing Beatle-like appears in the songs, but it's cool nonetheless. Milton Delugg and His Orchestra Music for Monsters LP. In 1949 Delugg was the music coordinator for The Herb Shriner Show. My favorite two were Gene Gene the Dancing Machine and The Unknown Comic.

The Aztec Mummy, Wrestling Women vs. I went into a spin and I started to shout... The show was initially hosted by Morey Amsterdam and Jerry Lester on alternate nights and then solely by Lester for the rest of its run. As I write this, I have just viewed a few episodes of what is now being billed as The Gong Show, and it is closer to what it was than any other incarnation to have appeared between the original and now. It also gave enduring announcers Kenny Williams (Hollywood Squares) and Ed McMahon their first real gigs. Sometimes an act was "Gang-Gonged", meaning it was so bad that it was gonged by two or even all three judges at once. Hope to see everyone there. He speaks about his role as conductor (and accordion player) on the variety series Broadway Open House, a precursor to The Tonight Show. Filming & Production. To celebrate his hundredth birthday, I've chosen this particular song because, in the midst of interminable legal harassment these last two years, I've become rather partial to picker-uppers. When Ft. Eustis held their version, I had to enter, I had an act sure to get Gonged. I remember the judges: Artie Johnson, Jaye P. Morgan, Pat McCormick, and Bill Bixby to name a few.

Milton Delugg And The Band With A Thugs

Two For the Money was the next game show assignment for Milton and it had him meet up with a comedian he had already worked with, Herb Shriner. In 1980, "The Gong Show Movie" was produced. Nevertheless, in its short life "Broadway House Party" can claim to be the first TV show to produce a hit song. Channel 4at Christmas 1985. A different kind of dancing machine, shaking it to The Coasters. Rumor had it Chuck was tremendously anxious about appearing on camera and one of the ways he would deal with it was to clap his hands at the end of every sentence. As musical director for the network, he was responsible for any NBC project that required special music... Barris initially regarded Milton DeLugg as 'an anachronism, ' but he soon found that DeLugg was very much attuned to the crazy tone of the show... " I have not heard of Barris' initial disdain for Milton, so I can't confirm the notion, but it seems unlikely that after ten years of working with the man, he wouldn't know what Milt was all about. Gould's last known role was a lightning quick bit part in Police Academy 4: Citizens on Patrol (1984), a movie that also featured unknowns Sharon Stone and David Spade. When I walked on stage and started to perform the song, I was shocked and disappointed to not hear the Gong.

In 1958, Milton DeLugg produced Buddy Holly's famous record Rave On!. Dutifully, Delugg obliged and wrote one he called "Hoop-Dee-Doo". The show celebrated many holidays such as Christmas, July 4th, and Thanksgiving, but invariably did so by singing the Irving Berlin standard, "Easter Parade. The show aired for a mere three months at the start of 1950.

Milton Delugg And The Band With A Thugz

Invariably people will ask me where I dream up some of my song titles as 'Orange Colored Sky' and 'Hoop-dee-doo', which seem to be a little off the beaten track. Describes the show thusly, "Co-starring his wife Lois, the concept was a fresh one - Doodles is told to put on a network variety show, but given no costumes, sets or budget of his own, just the discards from the other shows on hiatus for the season. " Milton worked on some more rockabilly, recording tracks for Terry Noland who had just arrived in the big city. The acts were—well as bizarre as the show. A hood that went on forever. Two For the Money would last five seasons (one on NBC and four on CBS). Gong Show review by Billy Ingram]] In the event of a tie, three different tiebreakers were used in at various times during the show's run; at first, the studio audience decided the winner by their applause; later, the producers chose the winner; later still, the celebrities chose the winner. Typically, Barris would lead into commercial breaks with the cryptic promise, "We'll be right back, with mor-re "stuff" — right after this message! Of course it was just one of many for the show's orchestra head, Milton Delugg.

Eventually, Langston would beckon to "Chuckie" and tell insulting jokes at his expense ("Have you ever made love to your wife in the shower? " Despite fairly respectable ratings for a non-soap-opera midday show, NBC cancelled "Gong", with its final episode to air on July 21, 1978. Or a woman who spun plates on sticks? Frank Zappa produced the most demented version of the lounge standard for MGM in 1966. It once again had Delugg working alongside his friend Morey Amsterdam who was host. Cripes … even David Letterman was one of the judges from time to time. It's the accumulation that makes it so good. You can find more details about the Steyn Club here. And in turn Frank gave his amanuensis an ongoing masterclass in songwriting. After all, there are lots of breezy effortless swingers in the American Songbook, but rarely so yoked to lyrics that track the contours of the tune note for note. From 1976 to 1980, he was musical director of The Gong Show (appearing with his "Band With a Thug"). He is also the composer of "Hooray for Santy Claus", the catchy theme song for the low-budget motion picture Santa Claus Conquers the Martians.

Milton Delugg And The Band With A Thug Love

Except that Nat Cole then capped it with his improvised and droll spoken postscript: Wow, I thought love was much softer than that. In all, the program lasted seven years and was nominated for an Emmy. Each show presented a contest between amateur performers of often questionable talent, with a panel of 3 celebrity guests serving as the judges (among the most frequent of which were Jaye P. Morgan, Arte Johnson and Jamie Farr). It is a song by the band MadnessDoryasks. That same year Milton sat down with Willie Stein and punched out his most famous composition, Orange Colored Sky. Gene Gene the Dancing Machine. And then that wacky pneumatic twelve-triplets-per-bar pile-up of thunderclaps: 'Cause the ceiling fell in and the bottom fell out. Good to see that you are still in business. Track A2: "(from the film "The Umbrella of Cherbourg")". Musical director Delugg wrote the show's theme with writing partner Willie Stein. But I asked Delugg, and he said no. "Both contestant and non-contestant acts may appear on this program. "Well, you should, she loves it! Tambourine – Johnny Pacheco.

Studio orchestras need accordion players because maybe the film's set in Paris or there's a scene in Argentina with someone playing a tango. They showed the song to Loesser, who was enthusiastic (and, in fact, brought it to Nat Cole), but he felt the end was a little... oh, what was that word Delugg used in his critique of "Hoop-Dee-Doo"? Theme for the Thing. Gene Gene's arrival, however, was always treated as though it were a surprise to everyone on the show, especially Barris, who would then commence to frolic on the set. Strangely enough, there were a few episodes he looked pissed off to the point he didn't even want to be there for whatever reason. Barris also began wearing a variety of silly-looking hats on stage, which were seen on a hat rack at stage right. Murray's craziest import was the most terrifying Christmas picture ever made, René Cardona's Santa Claus (1959), a film featuring Santa battling Satan. The Gong Show went on for another two years in syndication before it completely vanished. 70s Spiel: "From Hollywood, almost live, it's The Gong Show!

Milton Delugg And The Band With A Thug Life

Surely there has to be more to it than that. His tenure was short, though, and within a year or so Johnny Carson replace him with the more colorful (but less contentious) Doc Severinsen. "This article is about the show which aired in the 1970s and 1980s. The program not only introduced the faces of Amsterdam and Delugg to many people for the first time, but it also featured an unknown talent named Art Carney. Delugg had his orchestra perform the standard theme songs one would expect like The Munsters, The Addams Family, The Alfred Hitchcock Theme and The Outer Limits, but he also added several neat originals like Theme For a Mummy and Ghost Meets Ghoul. I remember my very first automobile, a 1972 Mercury Montego, muscle car extraordinaire. Thank for the original uploader. On June 14, 1976, Chuck Barris stepped in front of the camera-- Almost Live --as the host of The Gong Show.

Today, however, "The Gong Show" is seen as an inspiration for much of the modern-day genre of. Upon hearing the opening notes to his theme music (an arrangement of "Jumpin' at the Woodside, '" a popular Count Basiesong), Barris's face would light up and he would stop the show, yielding the stage to Gene-Gene. The "Applause-O -Meter" is being built as we type. Using a boxing bell, Edward Boweswould "ring" performers off the stage who he considered to be "dying" onstage. In all likelihood, this version was chiefly responsible for the show's cult following, since it usually reached a far larger audience than had been possible on daytime.

A5 - This Time Tomorrow (Amanha) 1:51. So Milton's great-grandfather changed it to Delugg - pronounced as it reads. Chose it as its closing theme on TV for two decades, which proved very lucrative for its composer.