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Wednesday, 31 July 2024

Our Lady of Controversy would work quite well in a variety of contexts for undergraduate readers, in particularly Chicana/o studies, art history, women's studies, queer and LGBT studies, and American Studies. Her image has been refigured by several generations of Chicana feminist artists, including Alma López. Alma López' webgallery. "She is prominent because of her cutting edge artworks as well as her feminist activism.

Our Lady By Alma Lopez Jose

"That's when the homophobia started, " she says. It didn't help when her sexual orientation was brought into the mix. Appears in the 1500s to stop the bloodshed of the indigenous peoples of Mexico. Yet I know, that many churches, in Mexico and Europe and the United States, house images of nude male angels and most prominently, a Crucifixion practically naked except for a skimpy loincloth. The image symbolically refers to women's. It means that only men can tell us how to look at the Virgen. "It's my body, yet nobody's asked me anything about how I feel. Dr. Joyce Ice, Director Dr. Tey Marianna Nunn, Curator of Contemporary Hispano/Latino Collections. Nunn takes a unique auto-ethnographical approach, merging her motives behind the exhibition and her experiences over the course of the controversy with scholarly research. This chiasmus methodology serves simultaneously as a queering, or a rendering strange of (hetero)normative, male-centric visual and linguistic discourse. During her training, she watched a depiction of a. rape scene in the back of a car -- very similar to hers -- which brought back. This blend makes Our Lady of Controversy an invaluable resource and nuanced rendering of a complex situation.

The Virgin of Guadalupe: an Image of a Superhero for Chicana Artists. Central to the collection is the notion of re-visionist art and decolonising colonial images. Artist talk by painter Alma Lopez, 2011. A number of essays illuminate this issue through historical, geographical and feminist interpretations of the controversy. The perspective of the viewer -- and perhaps a little historical perspective -- would seem to be key here. FOR RELEASE: WEEK OF APRIL 20, 2001. It's Not about the Santa in My Fe, but about the Santa Fe in My Santa (Alma Lopez) Appendix: Selected Viewer Comments About the Contributors Index. Accompanied by a bonus DVD of Alma Lopez's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda Lopez, Ester Hernandez, and Alma Lopez, Our Lady of Controversy promises to ignite important new dialogues. The latest controversy centers on Lopez's digital photo collage "Our Lady, " which depicts the Virgin of Guadalupe clad only in flowers and held aloft by a bare-breasted female angel.

Nic Chonmara, Niamh "Review- Our Lady of Controversy: Alma López's Irreverent Apparition by Gaspar de Alba, Alicia and Alma López (eds), " Aigne: The online postgraduate journal of the College of Arts, Celtic Studies and Social Sciences, University College Cork, Ireland, 2011 Walker, Hollis "Our Lady of Controversy, " The New Gate Keepers: Emerging Challenges to Freedom of Expression in the Arts. Lee, Morgan 'Archbishop Says Art Trashes Virgin', Albuquerque Journal (March 27) 2001: A1. All of the essays use chiasmus to investigate the intersecting, opposing and counter-opposing issues of the controversy in Santa Fe. With the Zapatistas for farmworker rights and garment workers. The Wall Street Journal (March 28), 2001. Queering the Sacred: Love as Oppositional Consciousness in Alma Lopez's Visual Art (Clara Roman-Odio). By her to complete her healing from "the shame and the guilt. " The print itself spent a decade in storage, then was exhibited at the Oakland Museum of California in 2011. She was raped at age 18. This is only the trailer, but you get the full 46 minute long documentary video free when you purchase a copy of Our Lady of Controversy: Alma Lopez's "Irreverent" Apparition, edited by Alicia Gaspar de Alba and Alma Lopez published by University of Texas Press, 2011. It's Not about the Art in the Folk, It's about the Folks in the Art: A Curator's Tale (Tey Marianna Nunn). It is violating and sacrilegious. As an image of the suffering mother, the Virgin of Guadalupe is omnipresent in Mexican-American visual culture.

Our Lady of Controversy. One of the key issues that the collection successfully addresses is the notion of ownership in relation to the Virgin. FROM UNIVERSAL PRESS SYNDICATE. I see the strong nurturing mothers of all of us. Also the piece has references to indigenous icons such as coyoxauqui, which is seen as a female warrior, and the famous stone depicting her makes up the cloak that the women is wearing. Book Description paperback.

Our Lady Of Guadalupe Mexico Website

"I'm not the first at all to have done an image of the Virgen de Guadalupe and portrayed her a little differently. The written section of the collection closes with an extensive discussion by Alma López of the significance of the Virgin of Guadalupe in her life, the process of her activist art, and the evolution of the Virgin image in both art history and within her own oeuvre. This is Lent, a time of devotion between Ash Wednesday and Easter. In it, Our Lady of Gudalupe-Tonantzin. This chapter examines Nan Goldin's Cookie Portfolio, the well-known series of photographs of her good friend Cookie Mueller from the beginning of their relationship (1976) until Mueller's death (1989), in order to answer several questions about visuality, autobiography, marginality and death. The End of Art Theory: Criticism and Postmodernity. Fighting injustice. " "The museum, the curator and I endured constant verbal abuse and physical threats. " Nunn, T. It's not about the art in the folk, it's about the folks in the art: A curator's tale. Santa Fe is a place with deep spiritual and traditional roots and the Museum of International Folk Art is the place where many images of saints reside. Includes bibliographical references and index.

Twelve years after being raped, she met a woman, Alba Moreno, who told her: "It wasn't your fault. This museum like other museums are sites of learning. Several months before its scheduled closing in February? In fact, as early as 1952 the U. S. Supreme Court held that the constitutional guarantee of free speech and press prevents a state from banning a film on the basis of a censor's conclusion that it is sacrilegious. Of struggle, " said Salinas. Or contact someone who can.

Kathleen Fitzcallaghan Jones ("The War of the Roses") takes a wide lens, situating the controversy in both local and national politics. Through the writings of Sandra Cisneros -- who in one of her stories wonders. Gonzales is the author of the forthcoming "The Mud People: Anonymous Heroes of Mexico" and co-author of "Gonzales/Rodriguez: Uncut & Uncensored" (ISBN: 0-918520-22-3 -- Ethnic Studies Library Publications Unit, UC Berkeley. Yet look through the eyes of Salinas and you see.

These contributions invoke the chiastic nature of the controversy, particularly the issues of secular/sacred, insider/outsider and artistic subordination/artistic progression. The inquisition continues. Yolanda Lopez received bomb threats for her portrayal of the Virgen wearing low-heeled shoes. Icons of love and devotion: Alma López's art. We need to tell everyone that we oppose censorship, and funding cuts to art and education. Has become almost disembodied from the debate. Not only is López's own voice woven throughout, in two chapters authored by the artist, but her art is also given the space to speak for itself.

Our Lady Of Guadalupe Book

Thanks for the insight. You can see the work at her website. Journal of American Folklore, Vol. Part of the controversial image was an effort. Additionally, many black-and-white images of López's work are spread liberally throughout the chapters, each engaging a different set of her visual art. For me, this experience at times has been confusing and upsetting, primarily because llegas self-righteously believes that he has the authority to dictate how a particular image should be interpreted. "Her idea at the time—early on, in terms of technology—was to basically create a bridge between traditional imagery and traditional iconography and technology, " López tells SFR. The image can be seen at: Comments regarding the exhibit should be directed to Dr. Joyce Ice, Director of the Museum of International Folk Art in Santa Fe, NM at: or to Dr. Tey Marianna Nunn, Curator of Contemporary Hispano/Latino Collections at The artist, Alma Lopez, can be contacted at or Tongues/VIVA1125 N. McCadden Place Suite 148, Los Angeles, CA 90038. For more information: Join the Discussion. López' perception of the symbol was further influenced by a Chicano Studies course she took in college. "I would think people would have a different perspective on the image, " the artist says. We support the museum and the responsible way in which the controversy was handled.

Is about sacredness vs. the freedom of expression. Whether battling threats from outraged Catholics accusing her of desecrating a sacred icon in New Mexico or finding her mural defaced by biblical quotes in San Francisco, lesbian artist Alma Lopez faces ongoing persecution for her innovative artwork. The documentary is an appropriate inclusion as it provides a visual discussion of the subject which was brought about by a strong public reaction to a visual work. Chicana Matters Series: Deena J. González and Antonia Castañeda, editors. Calvo, Luz "Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism, " Meridians: feminism, race transnationalism, Volume 5, Number 1, 2004.

Edited by Christopher Hawthorne and Andras Szanto. Established seller since 2000. He believes he can tell me how to think. To contact the museum: or (505) 476- 1200. Many, including myself, feel that there is nothing anyone can do to change how the original image of the Virgen de Guadalupe is generally perceived. Feminist Formations 29 (3): 49-79"Locating A Transborder Archive of Queer Chicana Feminist and Mexican Lesbian Feminist Art".

In Northern New Mexico because Los Angeles artist Alma Lopez depicted her. Even though California Fashions Slaves manipulates the imagery of Guadalupe, religious and community activists overlooked the piece. The controversial piece is part of Cyber Arte: Where Tradition Meets Technology (through October 28, 2001), an exhibition featuring computer-inspired work by contemporary Hispana/Chicana/Latina artists, who combine elements traditionally defined as "folk" with current computer technology to create a new aesthetic. King, Sarah, S. "Santa Fe Madonna Sparks Firestorm" Art in America (June), 2001. The Virgen is everywhere.

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